Santa Fe is a slow moving town in every way… so maybe ten years is about the right amount of time in between visits if you want to see something new in Santa Fe. I do miss is the local ski basin, twenty-five minutes up the road to 8ft of snow, and no time available to ski… so close but yet so far away. Damn!
The Santa Fe Ski Basin
New to me on this trip were the art galleries located in the
Santa Fe Rail Yard. When I lived there, the rail yard was a proposed project in
a blighted area of the city, one that city officials and a loud-mouth group of
opponents did everything they could to stymie…one of the things I loathe about
Santa Fe. Twelve years later it is a stunning development and the site of the much heralded Santa Fe Farmers Market as well as three stunning new art galleries. Located across the street (and tracks) from SITE Santa Fe, the center of the contemporary (sans western schlock art) arts scene in Santa Fe, and the original contemporary gallery in this area, James Kelly Contemporary. The new kids on the block (but not to the Santa Fe or New York art scene) is the David Richard Gallery, William Siegal Gallery, and TAI modern.
The David Richard Gallery, exterior and interior.
The David Richard Gallery had the most beautiful interior,
designed by architect Devendra Narayan. The gallery specializes in post-war American
abstract art, including Abstract Expressionism, Color Field, Geometric, OP,
Pop, and Minimalism art.
David Richard Gallery- Julian Stanczak, Translucent Orange, Acrylic on canvas
David Richard Gallery- Tadaskey, C143, 1965
David Richard Gallery- Richard Anuszkiewicz, Exact Quantity, 1963, Acrylic
Currently on exhibition, POST OP: “The Responsive Eye’
Fifty Years After”, a current version of a show which was originally presented
at MOMA in 1965 as a comprehensive overview of the OP Art Movement. All of the
artists in the current show were presented in the original show (though not the
same art works). They also represent the sculpture of fellow Californian and
artist Betty Gold. The show closes April 12th 2015.
Sculpture, Betty Gold, at the David Richard Gallery
The interior of the William Siegal Gallery
What stood out to us at the Siegal Gallery was the
contemporary steel sculpture by New Mexico artist, Tom Waldron. Waldron’s work shows
mastery of the razor thin line from smaller table top work to those of civic
proportions; technically and artfully executed steel sculpture in the vein of Minimalist
sculptor, Richard Serra, but with a fine finish. Siegal’s gallery featured one
of the most attractive display case for antiquities I’ve seen.
William Siegal Gallery- Tom Waldron, FLASK, Steel, 55 x 67 x 36
William Siegal Gallery- Tom Waldron- Nickel Plated Steel on concrete base, 20in 13in 7in
Siegal's Gallery also had one of the most unique display cabinets, as shown below.
The corner of this row of galleries was anchored by the TAI modern gallery.
TAI modern features contemporary Japanese basketry. I’ve
experienced antique Japanese basketry, but nothing like these modern works.
Hondo Syoryu, MOUNTAINS and RIVERS, Madake and Rattan, 2914. 11 x 12 x 10
Shono Tokuzo, FEATHER, Madake and Rattan, 2010. 17 x 15 x 11
Yamaguchi Ryuun, SHO, Madake and Rattan, 2014. 12.5 x 24 x 24
Hondo Syoryu, PROMINENCE, Madake and Ratttan, 2012. 19 x 18 x 9
The baskets were so sculptural in both abstract and traditional forms, priced from $3,300 to over
$30,000, these are some of Japans most important basketry artists.
Also on view
at TAI modern were optical paintings by artist Rebecca Shore.
See the photo below of the
gallery’s unique dropped ceiling panels, made with metal mesh and steel grids
with recessed tracks for lighting.
Good Night Moon
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